|The Entrance Hall of the Delbee apartment, avenue Foch, Paris.|
Although there were only four main rooms - a hall, a library, and two bedrooms - the apartment in a contemporary building had an almost palatial feeling because of the architectural detailing and furnishings. The apartment had been featured in numerous blogs, such as The Peak of Chic which provides some additional photos, and the highly recommended book JANSEN by James Archer Abbott which includes a chapter devoted to this apartment. But a closer look at some of the furnishings are presented here, taken from the catalog of the 1999 Christie's sale in Monaco; the U.S. dollar amounts given are the hammer prices realized, not including buyer's fees, etc.
The entrance hall in the first image also sometimes functioned as the dining room. The Jansen workshops produced transitional Louis XV/XVI style panelling painted in three shades of blue with glazed antique cream trim for the walls and the ceiling as well. But the most memorable feature was the doors, also made in the Jansen workshops over a period of twenty months, inlaid with designs of an architectural theme of temples and follies with geometric trophies presented as a Surrealist ideal.
|Set of five doors, designed by Pierre Delbee and made in the Ateliers Jansen, about 1957.|
Ebony inlaid with ivory and bronze.
|A pair of lacquered wooden corner cabinets, "paire d'encoignures", |
with ormolu mounts and breche d'Alep marble tops.
|Pair of Italian marble medallions, Lot 500, 16th century.|
|A pair of silvered chandeliers.|
(In typical Jansen fashion, they hold candles but are wired for electricity
with tiny bulbs concealed in the bobeches).
|A pair of Regence wall lights, gilt bronze and mirrored glass.|
|A gateleg table "Royal", 1960, of gunmetal steel, gold plating, and black Formica.|
This model was originally designed for the actress Jacqueline Delubac.
|The Library of the Delbee apartment.|
|An ormolu gueridon, mid-19th century.|
|A pair of Empire period fauteuils of mahogany, stamped Georges Jacob.|
Probably made for the Salle de la Convention.
|A fauteuil with harp and eagle motifs, early 19th century.|
|An Empire period bergere of mahogany featuring terminal sphinxes.|
A similar chair appears in the painting "Les Licteurs rapport Brutus lses corps ses fils" by David, 1789.
|Pierre Delbee's Bedroom|
|A Louis XV period secretaire a abattant, lacquer with ormolu mounts.|
Stamped F. RUBESTUCK et JME.
|A bed with a headboard covered with a tapestry fragment of peiti and gros point|
and a cover of antique needlework.
|A Louis XV red and cream painted chaise.|
|The Corridor to Suzy Delbee's Bedroom.|
|The Terrace of the Delbee apartment.|
After Pierre Delbee's death, his widow sold the furnished apartment and their country home to one of Jansen's best clients, Bartolome March-Servera. After March's death 15 years later, the furnishings were dispursed at this 1999 auction.
Great posting! I too am mad for JANSEN and remember I almost leased a townhouse apartment in the east sixties, because the lobby of the building across the street had been done by Maison Jansen, and I just loved it so much!
Delicious! What a pleasure it is to see the contents in the pages of the catalog, as they are much easier to study. Thank you. RDReplyDelete
Reggie, while the individual items are fine, the mix is what really adds to to the interest, isn't it? And just as the auction estimates are usually worthless, realized auction prices are an interesting gauge of value. Thank you for commenting.Delete
I love this post. Thank you for all of the details.ReplyDelete
Mary, the pleasure is mine.Delete
Terrific post, John. I have the Jansen book and found the Delbee's apartment the most fascinating - especially the hallway with its inlaid doors. I love the idea of framed sheet music forming a grid in the bedroom corridor and concealing closet doors. Altogether very interesting - thank you.ReplyDelete
Thanks, Blue. That shot of the corridor is from a Christie's newsletter that I had saved. Although it did not really show much of the furnishings, it gave more information about the level of design that went into the apartment. Architects tend to have a collection of interesting single chairs, so I could relate to the concept of the library furnishings. As a guest, it must have been fun to choose where to sit.Delete
Could one sit in that bergere and *not* be oracular? I wonder. But those two Empire fauteuils by Jacob are lovely.ReplyDelete
This is not the way I remember 1957.
T.A., the timelessness of good design never ceases to amaze me.Delete
Mon Dieu-I'm blown away-every single item gave a little frisson- by the end of the post, I felt as though I needed a cold compress on my forehead- never have I seen so many things I coveted in one place- great post-ReplyDelete
But it's the good kind of headache, Thomas, the aaaahhh kind as opposed to the aaarrrgg kind, right? It is always better to suffer for beauty than ugly, no? Thank you for commenting.Delete
Not so much a headache- more state of excitement- I re-visited your post and was able to contain myself- While I have managed to lay my hands on a few treasures ( A Bugatti mirror is my biggest coup), I remain Jansen impaired.Delete
I always love seeing auction realisations , wonder what prices this sale would achieve today. Marvellous attention to detail in the apartment.ReplyDelete
Thank you for this post. Great to see the individual pieces up close. That certainly is an entrance hall to set the tone.ReplyDelete
FYI: Suzy Delbée's former husband was a member of the Lazard dynasty. (Will come back and post the info.) As for those marvelous doors, they are now in an apartment designed by Juan Pablo Molyneux.ReplyDelete
Pierre Delbée was a son of Henri Delbée ("architecte des monuments historiques") and his wife, the former Jeanne Taupin.ReplyDelete
Pierre Delbée married, on 15 December 1950, Suzanne (Suzy) Kober, the widow of the much older Jewish banker and race-horse owner Robert Lazard, who was born 1869 and who died being deported from France in 1943. She was a great friend of Cocteau, Christian Dior, Christian Berard, Denise Bourdet, Jean-Louis Barrault, et cetera.
A memoir published in 2007 by Jean-Pierre Grédy, "Tous ces visages," states "Suzy n'était pas jolie" and that the name of Lazard, by association, stuck to Pierre Delbée like a second skin. Grédy further states that everyone continued to call Suzy by her former married name, presumably because it was much more chic. (Suzy also called used the surname Lazard, even after her marriage to Delbée, signing a book with the name SUZY LAZARD, alongside Delbée's name, in 1959.) Grédy also states that Suzy's mother, a Hungarian demimondaine, had been Robert Lazard's mistress at one time.
Another book, "Propos secrets," says, re the 1970s, after Delbée's death, "Suzy Lazard is a very rich woman, very elegant, with the most beautiful jewels of Paris ..."
Suzanne Kober was born in Paris, France, in either 1904 or 1905, and her mother was Countess Gantra (sp?), who lived at 374 Rue Saint Honoré, Paris.
*Qui est qui en France, Volume 9 (published 1969)
*"Tous ces visages" by Jean-Pierre Grédy (2007)
*"Propos secrets" by Roger Peyrefitte and Claude Chevreuil (1977)
Aesthete, thank you for this information. Despite the long-standing reputation of Maison Jansen, I had the feeling that Mrs. Delbee had social connections that had somehow helped the business. Your comments are greatly appreciated.Delete
You really should serve bibs with this kind of post so that our drools could be contained. Loved the pictures in this format as well. I have the book and I am a book fanatic, but something about seeing the beauties in the "lineup" is staggering. I am always pleased when the erudite TAL comments. Where else can you get post + comments=fauteuils, ormolu, black formica AND Hungarian demimondaine?ReplyDelete
I'll take the silvered chandeliers...divine!ReplyDelete
A good choice, Julieta!Delete
The lacquered wooden corner cabinets are my favourites.ReplyDelete