Thursday, October 10, 2013

Mellon-White Townhouse, Another Manhattan Landmark For Sale

The Mellon-White townhouse
entrance from the sidewalk
125 East 70th Street
as it appeared in 2013.
Photo:  Sotheby's International Realty.
The most popular of all the posts of The Devoted Classicist is a selection of fabulous New York City private residences titled Landmark Manhattan Townhouses For Sale.  This post is a sequel, one might say, presenting one of the most remarkable townhouses for sale, highly suitable for anyone wanting "a little place in the city."

The Mellon-White townhouse
at 125 East 70th Street
as it appeared in 2013.
Photo:  Sotheby's International Realty.
Long one of this writer's favorite townhouses, 125 East 70th Street, is the dream home for the most discerning traditionalist city dweller.  Completed in 1966 for the philanthropist, art collector and banking heir Paul Mellon and his second wife, Rachel "Bunny" Lambert Mellon, a noted gardener and philanthropist in her own right, still alive at this writing at age 103, the French style townhouse was an instant landmark.  It was their pied a terre in Manhattan, their main residence being a 4,000 acre estate in Upperville, Virginia where Mrs. Mellon still lives (to be featured in a future post).  Architect H. Page Cross designed the house that replaced two typical late 19th-century brownstones.  It was an usual project at the time when affluent families were relocating to the fashionable suburbs.  "Storm" shutters were concealed within the thickness of the exterior walls, pulling down inside the coquina stone trim around the French doors and casement windows;  a steel plate can automatically slide to block the front door to make it difficult to penetrate the urban fortress.

The Basement, Ground Floor and Second Floor
Plans as they appear in the 2013 real estate
offering by Sotheby's International Realty.
One of the distinctive features is the wall along the sidewalk that creates a south-facing garden at the entrance, as seen in the first image.  A second gate is the service entrance, originally tended by a concierge that also served as a security guard (with quarters marked Guest/Staff Bedroom on the plan).

View to the Entrance Foyer
of the Mellon-White townhouse
as it appeared in 2013.
Photo:  World of Interiors.
The scale and architectural detailing, along with the original decoration, is exceptional, providing the "quiet quality" that the Mellons desired.  For example, that the wood floors are painted to resemble stone is an artistic statement rather than a budget compromise.

The lattice covered vestibule leading to
the rear garden, as it appeared in 2013.
Photo:  Private Collection.

A more distant view to the Entrance Foyer,
from a lattice covered vestibule.
The cove lighting is not illuminated.
Photo:  World of Interiors.
 
Treillage is used as an effective wallcovering to establish a mood, here as a transition to the rear garden.  Lattice also currently covers some of the walls in the basement.

A Powder Room on the Ground Floor
retains its original painted fretwork decoration.
Photo:  World of Interiors.


The Library at 125 E 70th Street
as it appeared in 2013.
Photo:  Sotheby's International Realty.
What might appear to be a peculiar detail today was originally intended as a special consideration to show the Mellons' magnificent art collection to full advantage, but in an understated way seldom seen in new residential installations now.  Note the absence of recessed spotlights or other specialty art lighting, for example. The lighted bookcases were added by the current owners.

The rear garden of the Mellon-White
townhouse in 2013.
The lily pool was added by the current owners.
Photo:  Sotheby's International Realty.
The wide rear garden is an unusual treat in Manhattan.  The Library, Drawing Room, and His Bedroom are among the rooms that benefit from the outdoor space.

The Main Staircase at 125 E 70th Street
as it appears in 2013.
Photo:  World of Interiors.
According to the November, 2013, issue of World of Interiors, the wrought iron stair balustrade of the main staircase was copied from a Jack Lemmon film.  Four Bonnard paintings once hung on the walls now covered with toile de jouy.

The Kitchen/Breakfast Room in 2013.
Photo:  Sotheby's International Realty.
The whole second floor was originally dedicated to service and staff areas.  This floor appears to have been completely renovated by the current owners, making it more family-friendly.

The Third, Fourth, Fifth and Sixth
Floor Plans as they appear in the 2013
offering by Sotheby's International Realty.
The Third Floor is luxuriously devoted to two principal rooms and a large south-facing terrace.

The Third Floor Gallery in 2013.
Photo: Sotheby's International Realty.
From the stairs or the elevator, when arriving at the Third Floor, one first enters an enchanting Gallery. acting as an orienting space before entering the Drawing Room, Terrace or anteroom to the Dining Room.  The wood floor painted as faux marbre is exceptional as are the walls painted as trompe l'oeil boiserie.  Note the frieze of tassels painted below the cornice.

The Drawing Room of 125 E 70th Street
as it appeared in 2013.
Photo: Sotheby's International Realty.
The Drawing Room overlooks the rear garden to the north and the Terrace with the Gallery seen on the right in the photo above.  Although the original decoration was done in consultation with legendary designer John Fowler of Colefax and Fowler, many Devoted Readers will know that Fowler never visited the United States.  Instead, the Mellons sent painters Paul Leonard and William Strom to London for two weeks of training, the magazine article states, and the decorating was carried out by mail.  Although the yellow walls of the Drawing Room are an homage to Nancy Lancaster's famous room at 22 Avery Row, the glazed walls as they appear here were done as specified by the current owners, the article also says.  A long list of decorators had a hand in the designs for the Mellons over the years with the last being Bruce Budd.  (Some might object that the townhouse lacks one critical amenity, a garage.  This was not really a problem for the Mellons who owned a handsome old limestone-fronted carriage house nearby that had the capacity for 12 cars.  Budd had a chic apartment above, making him available for decorating consultation as needed.  Designed by architect C.P.H. Gilbert, the East 70th Street carriage house sold for $13.5 in 2009;  read more about it here).

The wood floor in the Anteroom
of the Mellon-White townhouse
at 125 East 70th Street in 2013.
Photo:  Private Collection.
One of the most charming of these wood floors painted by Paul Leonard is in the Anteroom leading into the Dining Room.  Note that the pattern follows the joints of the planks in the length with scored lines across the width to give the effect of tiles.  It is an excellent example of appropriate scale, pattern and color to link the adjacent Gallery and Dining Room.

The Dining Room as it appears in 2013.
Mellon-White townhouse.
Photo:  World of Interiors.
When the real estate photos of the townhouse starting appearing in the blogs a few weeks ago, there was speculation about many things, especially the walls and floor of the Dining Room.  Being somewhat familiar with the house and the contributions of Colefax & Fowler and Paul Leonard, The Devoted Classicist offered some factual information, only to later receive notice that speculators thoroughly disputed my comments on the other blogs; so much for trying to educate the "experts."  In any case, the floor is indeed painted to resemble marble as is the baseboard and dado (difficult to see in this photo).  The walls are painted with a blue cross-hatched glaze that was formulated to compliment the major painting by Homer that the Mellons owned.  Legendary decorator Billy Baldwin added the sheets of beveled mirrors.  An adjacent pantry acts as a serving kitchen and a small staircase gives access to the main kitchen below.

The Front Master Bedroom
of the Mellon-White townhouse in 2013.
Photo:  World of Interiors.
There are two Master Bedrooms on the Fourth Floor with the front assumed to have been used by Mrs. Mellon.  The walls are lined with painted wood paneling in the transitional Louis XV/XVI style and the floor has a Colefax & Fowler carpet, a replacement of the same during the Mellon occupancy according to the article.  An east-facing balcony overlooks the terrace below with the lattice on the common wall extending to filter the view beyond.

The view in 2013 from the balcony down to the
Third Floor Terrace of 125 E 70th Street.
Photo:  Sotheby's International Realty.
Fortunately, the current owners kept many of the bathrooms intact.  This, assumed to have been Mrs. Mellon's, is exceedingly charming.  Of special note are the antique Delft tiles facing the bathtub.  The walls, including concealed doors, are covered with printed fabric especially hand-blocked in Wales for Colefax & Fowler, according to the WoI article. 

Views in 2013 of the bathroom assumed to have
originally been used by Mrs. Mellon
at 125 East 70th Street.
Photo:  World of Interiors.
The bedroom on the rear of the Fourth Floor, then, was assumed to have been used by Mr. Mellon.  It is a handsome space with a coved ceiling and a fireplace (not shown) opposite the bed.

The Rear Bedroom on the Fourth Floor
of the Mellon-White townhouse, 2013.
Photo: Sotheby's International Realty.


According to various on-line reports, Stribling & Associates listed the Mellons' townhouse for sale for $26.5 million in August 2005 and it sold early in 2006 for $24.5 million or $22.5 million with reports varying.  The buyers were Clare and Tony White.  The Whites had bought their townhouse across the street at 118 East 70th Street in 1998 for $6.05 million and sold it in 2006 for $25.6 million to actor/director Woody Allen.  Mr. White is an Irish businessman who founded Abacus Direct, a consumer data company that he sold for $1.7 billion.  The Whites hope to repeat their success in real estate by selling their present home at 125 East 70th Street for $46 million.  The listing through Sotheby's International Realty, including more photos and a video, may be viewed here.

24 comments:

  1. John,

    I have never seen anything like this in Manhattan and I don't ever recall walking by it but i sure will next time I'm in town. What a gem. Oh to have $46 million. Another one I would love to see is the Marietta Tree townhouse on e79th. I used to go by that one on the bus to work every day and often wondered the story. Thanks for this.

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    1. Julieta, we'll have to take each other on a walking tour some day! I know Marietta Tree lived in a townhouse on E 79th because I was working on a neighboring apartment when she moved to 1 Sutton Place South. But I cannot get a mental picture of the townhouse. Perhaps I'll have an "ah ha' moment later. Thanks for commenting.

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  2. A house I was never familiar with until lately and it's just astonishingly perfect. I love the expensive simplicity of it and the artistry of the painted surfaces (so much more interesting than 'real' marble or wood). I have no doubt you would never give out information you did not know to be a fact so pay no heed to those who doubt your knowledge. Thanks for this as always! It will be interesting to see who buys it and if they preserve the design legacy they inherit.

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    1. Stefan, all information is presented in good faith and I often get confirmation from a second source. My Devoted Readers are the most reliable sources, it must be noted, and I appreciate all their back-up and help behind the scenes.

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  3. Your a font of knowledge, Treillage and Faux Marbre, Faux Boiserie...terms so UNKNOWN in the realms of so called Designers today with self published books. I love this abode, you and Mitch have clarified all of late! with WOI to give an imprimatur...can I say though, Mrs. Mellon has a similar Gazebo at her farm in Upperville, with little plants so cleverly allowed to grow underfoot of the chairs and table within...and cannot wait to see the Schlumberger finial of the greenhouse.

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    1. Swan, I enjoy sharing what is interesting to me, and learning some things along the way. It's a bonus that readers learn something, too. Many thanks for your comments.

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  4. John,

    as a Brit who has never set foot in the US let alone Manhattan, it is always a pleasant surprise to see a low rise building in New York, the overall image of the city and was firmly imprinted in the world's imagination is of vertiginous height and overwhelming scale. The first thing that struck me was the density and complexity of the plan, secondly the intimacy of the rooms - some of them are really charming and I was particularly struck by the painted floors in the anteroom and dining rooms, both classical and modern. I suspect that the French architects who obviously inspired the house would have been able to handle the complexity with greater elan. Lastly has anybody noticed how turned in on itself the house is? A lovely, lovely building.

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    Replies
    1. Robert, my previous employer, the now defunct Parish-Hadley decorated a house of the same period, built on three lots on East 63rd Street for the Jock Whitneys, so I had the advantage of being familiar with a new townhouse such as this. Also, I knew of the house that Jacqueline Kennedy intended to build, but security concerns were a factor in not going ahead.
      Before working at Parish-Hadley, I was a consultant for a townhouse that truly was in the French style. If you have not seen that post, click on Ogden Codman Jr. under LABELS in the right hand column of the web version of this blog (not available in the Subscribe By Mail version).
      The Mellon house is unusual because the garden element plays such an important role, not a surprise because of Mrs. Mellon's interest. But it is an extravagance, albeit somewhat understated, in Manhattan, where even air-rights are valuable.
      Thanks for your comments, Rober.

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  5. charming work, well presented by the author . . . .

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  6. I am curious if the Whites purchased any (if not all) of Mrs. Mellon's furniture when they bought her townhouse. The décor seems very much to be in her "taste."

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  7. Clare White holds a license for an antiques business, but I am not sure that she is buying or selling more than for own use. I have seen pieces for sale at shops such as David Duncan, so the Whites definitely did not buy all the Mellon furniture. Since they were moving from a townhouse and had a wholesale antiques connection, I am guessing it very unlikely that any of the Mellon furniture remains in the house. Also, and this is just my opinion, I do not think the furnishings are the taste of Bunny Mellon or John Fowler, for that matter. Not that I find any of the Whites' furniture objectionable, it is just that there is more Italian furniture, for example, than one would expect. It is not bad, particularly, just different. Thank you for commenting.

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  8. "Quiet quality" indeed!
    Though it may have taken great wealth to create, there is nothing grandiose about this house. It seems to me the essence of modest sophistication, right down to the painted floors.
    The house is one of a kind, not only architecturally,
    but because of its distinguished provenance of taste, the delicious private world now subtly revealed in small doses--it is a window onto another world. Wealth on its own is nothing without wisdom, humanity, intelligence, connoisseurship.
    I love what the Mellons did, and am impressed with the sensitivity shown by the Whites--- their evident appreciation of the mood established --it's a remarkable synthesis of tastes, wouldn't you say? And it really must be honored while it lasts. We know all too well the fate of houses these days, once they change hands!

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    1. Toby, I agree completely. Thank you for your comments.

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  9. Hi John,
    This has always been my fave house in New York. I have been haunted by it ever since I lived in the city. Thanks for the fabulous TDC post!
    Dean Farris

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    1. Thanks, Dean. It is a great house and I hope it finds another sympathetic owner.

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  10. Hi John: Thank you for the knowledgeable tour. Have you seen my "Take Fun Seriously" post about a wonderful townhouse I visit regularly in NY? Off to read your other townhouse post.
    Best,
    Liz

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    1. I can only imagine all the fun. Thanks for commenting.

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  11. Hello, John! I was one of the "doubters" on Pigtown Design re: the glazed walls and deliberately distressed and faded painted floors, but I based my opinion on what wealthy clients demand today rather than on any historical research. I concede; I was wrong! I must say, the dining room walls and floor look much better in the World of Interiors photo you're showing here than they do in the Sotheby's Realty shots. They say that a picture is worth a thousand words and that may be true, but in this case your "words," scholarship, and background information make the photos that much more interesting. Thanks for sharing all of this.

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    1. Rebecca Grace, thank you for leaving a comment. I get many more direct comments and information about my blog than those submitted for publication, so I am sometimes limited to what I can and cannot say.

      Sometimes on-line real estate listings stay available for viewing (so the agent can get publicity) but sometimes they are removed. The latter was the case when Stribling offered the house the first time -- a lesson to all us bloggers to save images when one can.

      And when thinking about how people live, remember that the images shown in magazines are what the editor wants you to see, for one reason or another, and not necessarily truly a trend. We all have to make up our own minds to what is "today' and "relevant."

      Again, many thanks for taking the time to leave your comment.

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  12. Beyond stunning!! Gorgeous and traditionally classic in every sense of the word! Love this blog!
    Karolyn

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    1. Damiaens, thanks for commenting. Reports are that the most serious potential buyer would be interested only in a major renovation. We'll have to just wait and see the outcome.

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