Tuesday, April 7, 2015

John Saladino, Curtain Master

John Saladino's Kips Bay Showhouse room.
Image from HOUSE BEAUTIFUL, October 1988.
Designer of furnishings and interiors, John Saladino is known for his Signature Look that mixes continental antiques with seating, tables and lighting of his own design, usually within a handsome architectural setting.  But Saladino is not necessarily known for his curtains.  Here is an example, however, where Saladino realized that the room absolutely needed some softness at the tall south and west-facing windows of this room and addressed the issue in a simple, classic way.

A corner of Saladino's Kips Bay Showhouse room.
Image from HOUSE BEAUTIFUL, October 1988.
This room was in a Park Avenue townhouse that was used as a decorator showhouse several times to benefit the Kips Bay Boys & Girls Club providing after-school and enrichment programs for New York City children; I think this particular event dates from 1988. Patrons at the gala opening are allowed to walk into the rooms, but the typical visitor only sees the room from one angle, at the doorway (unless it is a walk-through room) so the space is often furnished to be seen from just one vantage point.  But the room has to work during both day and evening opening hours. The existing paneling in this case could not be altered, making any special construction at the windows impossible.  Part of the solution here was a bottom-up linen shade that could be adjusted to diffuse the light as well as the view of traffic just below.  This allowed the curtain panels of unlined fabric to be fixed, pulled up to one side in the manner of the classical Mediterranean villas that still inspire Saladino.  The panels were silk, if I am remembering correctly, with inverted pleats giving a more tailored look, hanging from braided cords of the same color.

Saladino's Kips Bay Showhouse Room.
Photo from SHOWCASE OF INTERIOR DESIGN:
EASTERN EDITION, 1991, via
The Art of the Room
Can you imagine the room without the curtains?  It would not be nearly as successful without this relatively simple element.  Read more about this room in a post of The Art of the Room.  This is the third post in the not-necessarily-consecutive series on curtains with the others being able to be seen by clicking on "curtains" under LABELS in the right-hand margin of the regular web version of The Devoted Classicist.


7 comments:

  1. These are terrific curtains and perfect for the space. I first saw John Saladino's work in 1980 (I think) and he remains one of my favorites. He is one of the all-time greats, without a doubt. I'm so looking forward to the rest of this series about curtains.

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    Replies
    1. Thanks, B. There is no denying Saladino's great contributions to interior design.

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  2. I have always loved this room and agree, it wouldn't be the same without these simple yet dramatic curtains. They remind me of the billowing, diaphanous curtains of Commodus' villa in Gladiator. Thank you for the mention J. T.!

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  3. How lovely is this - agreed that they add the finishing touch.

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  4. These curtains by Saladino really make this room and I cannot imagine the same kind of drama without them!

    xoxo
    Karena
    The Arts by Karena
    Artist Nathaniel Galka

    ReplyDelete

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