Showing posts with label Cecil Beaton. Show all posts
Showing posts with label Cecil Beaton. Show all posts

Wednesday, November 28, 2012

Put A Bow On It

A diamond brooch,
Lot 380, Sale N08925.
Photo:  Sotheby's.
Devoted Readers looking for that special gift will be interested in the December 5, 2012, Sotheby's auction Magnificent Jewels From The Collection Of Mrs. Charles Wrightsman.  Those casually interested in the decorative arts might not recognize the name, but Jayne Wrightsman and her late husband have been incredibly influential collectors and philanthropists.  The thirteen Wrightsman Galleries at the Metropolitan Museum are appreciated by thousands each year.


Mrs. Wrightsman photographed in the Living Room
of her former Palm Beach home.
Photo:  Sotheby's.
The auction will end with the sale of Lot 380, estimated $200,000 to $300,000, a diamond bow brooch with an Imperial Russian association.  The rare mid-19th century brooch was once in the collections of Grand Duchess Elena Vladimirovna of Russia, the granddaughter of Tsar Alexander II, and her daughter HRH Princess Marina, Duchess of Kent.

Princess Marina, Duchess of Kent,
wearing the brooch in a 1937
photo by Cecil Beaton.
Photo:  Sotheby's.
Princess Marina, whose father was Prince Nicholas of Greece and Denmark, grew up in Paris after the overthrow of the Greek monarchy.  She was married to Prince George, Duke of Kent, from 1934 until his death in 1942 while in active service with the Royal Air Force.  (According to author Hugo Vickers in ELIZABETH, THE QUEEN MOTHER, the Duchess was "the only war widow in Britain whose estate was forced to pay death duties").

A pair of diamond rivieres,
Lot 378, Sale N08925.
Photo:  Sotheby's.
The lot with the highest estimate, $800,000 to $1,200,000, however, is Lot 378, a pair of diamond rivieres, a type of necklace (or bracelet) with the stones mounted on the back to leave them as visible as possible.  These rivieres are not from the collection of Princess Marina, it is thought, but very similar to a pair worn in a 1949 portrait by Cecil Beaton.

Princess Marina in a
1949 portrait by Cecil Beaton.
Photo:  Sotheby's.
First cousin to Prince Philip, Duke of Edinburgh, Princess Marina became his aunt also after his 1947 marriage to Prince Elizabeth, now Queen Elizabeth II.  Princess Marina was a popular and active member of the British Royal Family, sometimes serving as representative of the Queen in foreign celebrations and ceremonies.  She died of a brain tumor in 1968 at age 61.  (Her son is the sometimes controversial but popular Prince Michael of Kent, but that is the subject of another post entirely).



Monday, October 1, 2012

Rex Whistler's Circle

Rex Whistler self portrait.
Image:  BBC.
While the great artistic talent of Rex Whistler cannot be denied, the contributions to his success made through his friendships should not be underestimated.  His association with the 'Bright Young Things', as the group of young bohemian aristocrats and socialites of 1920s London was dubbed, undoubtedly helped Whistler's stylistic development.  As mentioned in the first post of this series of The Devoted Classicist, it started with his friendship with Stephen Tennant whom he met in art school.  Another member of the same set also known as the 'Bright Young People' was Tennant's best friend Cecil Beaton.

Rex Whistler as a shepherd.  1927.
Photo by Cecil Beaton.
Cecil Beaton was a fashion and society photographer known for his portraits of the royal family as well as the celebrities of the day.  (He also achieved success after World War II for designing sets and costumes for stage and screen, notably "Gigi" and "My Fair Lady". both which earned Beaton an Oscar for Costume Design).

Rex Whistler and Cecil Beaton.
In 1930, Beaton was taken by sculptor Stephen Tomlin and writer Edith Oliver (Whistler's collaborator on the mural for the Tate restaurant) to see Ashcombe, a derelict house that was originally part of a larger 18th century manor on over 1,000 acres.  Despite the poor condition and lack of plumbing and electricity, Beaton fell in love with the property and took on a 15 year lease for GBP 50 a year on the condition that he make all the improvements at his own expense.  Guests at Ashcombe House included many notable actors and artists such as Salvador Dali, Christian Berard, and Augustus John in addition to Whistler.

The bed in the "Circus Room" at Ashcombe.
Image from Prints Online.
One of the famous rooms of the house was the "Circus Room" with a carousel-inspired bed designed by Whistler and murals painted by Whistler and other houseguests. 

Cecil Beaton in the "Circus Room" at Ashcombe.
Rex Whistler also designed the front door surround of Bath stone.  Sadly, Beaton had to give up the house at the end of the lease (and it was then occupied by the landlord's son).  The story of Beaton's time there is recorded in his book ASHCOMBE, THE STORY OF THE FIFTEEN YEAR LEASE.

The cover of Beaton's book, first published in 1949,
features Rex Whistler's painting of  Ashcombe.
The Devoted Classicist Library
Madonna and Guy Ritchie bought Ashcombe in 2001 (for more than the guide price of GBP 9 million, it is believed).  Little remains of Beaton's neo-baroque interior decoration with the exception of part of the "Circus Room" murals.  After the divorce, Mr. Ritchie retained ownership of the estate.

Ashcombe and Madonna as they appeared
in a Vogue magazine photo by Tim Walker.
Despite what may be seen as Dream Projects for Rex Whistler, the clients were not always easy to please.  Such was the case with Mrs. Gilbert Russell, owner of Mottisfont Abbey.  Her portrait by Boris Anrep, around 1930, shows her in bed in a previous residence.  But it is too marvelous not to include.

A portrait of Mrs. Gilbert Russell
 circa 1930 by Boris Anrep.
Another painting to be shared is one by Rex Whistler, in the manner of Salvador Dali, a Surrealist landscape done as a challenge to imitate his friend's style.

A Surreal Landscape by Rex Whistler, 1942.
The Estate of Rex Whistler.
The last painting by Rex Whistler reveals not only the artist's great talent and imagination, but also his sense of humor.  It shows the almost naked Prince over the sleeping ingenue of the city of Brighton.

Allegory:  H.R.H., the Prince Regent
Awakening the Spirit of Brighton.  1944.
Royal Pavilion, Libraries & Museums, Brighton.
For the Devoted Readers who were already fans of Rex Whistler, it is hoped that this provided a satisfying, if brief, review.  For those who were not familiar, The Devoted Classicist hopes new fans will be inspired to learn more about this great artist.