Showing posts with label Thomas Jefferson. Show all posts
Showing posts with label Thomas Jefferson. Show all posts

Friday, July 20, 2012

Monticello's New Carpet

The Dining Room restored to the 1815 scheme showing the new carpet.
Photo courtesy of Ralph Harvard, Ralph Harvard Inc.
One of the most popular posts of The Devoted Classicist blog has been Historic Paint Color At Monticello which presents the re-creation of the 1815 chrome-yellow paint scheme for the Dining Room.  One of the pleasures of authoring a blog is making new acquaintances, and hearing from old ones.  So it was a great treat to get an email from the distinguished New York City designer Ralph Harvard, of Ralph Harvard Inc., an Attingham graduate that I had met just prior to my own wonderful educational experience at the school.  Ralph read my essay on the paint color and thought the Devoted Readers would appreciate seeing the carpet he designed for the Dining Room.  I am sure that will be the case.
A detail of the new Dining Room carpet at Monticello.
Photo courtesy of Ralph Harvard, Ralph Harvard Inc.
The new carpet was based on the documentation from the original order that Jefferson placed for a carpet in Abeville, France in the 1780s according to Ralph Harvard.  No examples from this period survive from the factory, this so this design is an interpretation.  But it is known that the moquette (cut velvet-like pile) carpets produced there were hand-woven wool on linen, the loom-width strips sewn together to make wall-to-wall or room size carpets, Harvard said.  He added that the Abbeville carpets were in the British taste, small patterned and without extravagant colors.
A cartoon for the new carpet's border showing yarn samples.
Photo courtesy of Ralph Hardvard, Ralph Harvard Inc
Jefferson's carpet was not wall-to-wall, so Harvard duplicated the original dimensions but added a neutral border to increase the size to protect the floor and keep the edges from curling up.
The model for the new carpet's border.
Photo courtesy of Ralph Harvard, Ralph Harvard Inc.
The Devoted Classicist thinks it is particularly remarkable that the 1815 scheme for the Monticello Dining Room is so in keeping with today's taste:  a testament to the timelessness of classic residential design.
The Dining Room of Monticello restored to the 1815 scheme.
Photo:  Philip Beaurline for Thomas Jefferson Foundation.
And again, special thanks to Mr. Ralph Harvard for sharing this very interesting update to the previous post.



Thursday, January 26, 2012

Historic Paint Color at Monticello

The Dining Room of Monticello, with the Tea Room adjacent.
Photo:  Thomas Jefferson Foundation.

In recognition of the upcoming Thomas Jayne Event sponsored by Decorative Arts Trust, presented in a previous post of The Devoted Classicist, there is a return to Thomas Jefferson's Monticello to discuss the Dining Room;  the adjacent Tea Room is discussed in Mr. Jayne's book THE FINEST ROOMS IN AMERICA.
The Dining Room at Monticello, showing the previous blue paint scheme.
Note the open doors of the dumbwaiters flanking the fireplace.
Photo:  Thomas Jefferson Foundation.

The interior paint colors that many think of as "Colonial" or "Williamsburg" are often a result of 1930s interpretations rather than actual historic colors.  Today, there is more interest in accurate restoration rather than "tasteful" re-creations, and science combined with more academic knowledge of history often allows a more authentic presentation in house museums.
The Dining Room of Monticello as it appeared in 2010 with a table setting by Charlotte Moss.
(The table was set up in the room during Jefferson's time only as needed).
Photo:  Elle Decor magazine.

Utilizing analysis and studies by Welsh Color & Conservation, Inc., it was determined that the walls of Monticello's Dining Room and Tea Room were orginally white unpainted plaster.  But Thomas Jefferson loved the most stylish and fashionable trends in decoration as much as he loved to entertain.  So it is no surprise that Jefferson had the Dining Room painted in 1815 a new color, chrome-yellow.  In a 2010 article by Mitchell Owens in Elle Decor magazine, the curator of Monticello Susan R. Stein describes the bright yellow as "the color of an egg yolk from a chicken that dined on marigold petals."  And Ms. Stein added that the chome yellow pigments cost $5 per pound as compared to 15 cents per pound for basic white.
An 1825 watercolor of Monticello by Jane Pitford Braddick Peticolas.
The Dining Room and Tea Room are to the left of the central portico.
Image:  Thomas Jefferson Foundation.

In 2010, a donation from Polo Ralph Lauren, which included exclusive rights to market Monticello Yellow paint, allowed the Dining Room to be repainted the bright golden color. 
The First Floor Plan of the main block of Monticello.
Image:  Thomas Jefferson Foundation.

The Dining Room is almost a cube, 18'-6" x 18'-0" with a ceiling height of 17'-9".  There is a skylight, one of the thirteen in the house.  The window has two sets of sash for insulation with double pocket doors on rollers separating it from the Tea Room (which was cold).  A dumbwaiter on either side of the fireplace brought wine up from the cellar and a revolving serving door (recreated in 1949) with shelves attached to the service passage side enabled dishes to served and cleared with minimal intrusion by Jefferson's servants which were slaves.
A view from the Dining Room into the Tea Room.
Photo:  Thomas Jefferson Foundation.

The Tea Room is 15'-1" x 11'-2" with a 17'-11" ceiling height.  The plan is based on an octagon (though not complete), Jefferson's favorite architectural shape.  The room was inspired by a building in Albano, Italy, depicted in the 1650 book by Roland Freart de Chambray PARALLELE DE L'ARCHITECTURE ANTIQUE AVEC LA MODERNE, an anthology of ten ancient and modern writers on the classical orders.  (An English translation by John Evelyn, the second edition published in 1706, is available in facsimile form here).
The Tea Room at Monticello.
Image:  Thomas Jefferson Foundation

The Tea Room is decorated with busts of Benjamin Franklin, John Paul Jones, Marquis de LaFayette, and George Washington, friends and American heroes.  The room was used for dining as well as reading and writing.  The semi-circular niche held a heating stove at one time. The walls are now painted to replicate the original unpainted white plaster.
The Dome Room at Monticello.
Photo:  Chris Kern, www.chriskern.net

The Dome Room is now painted "Mars Yellow" and the wood floor is painted green.  Except for a brief period when it served as an apartment for oldest grandson Thomas Jefferson Randolph and his wife, the space was generally unfurnished and unused, other than for storage, during Jefferson's time.  For more about this room, see the webpage of Chris Kern here.
The west elevation of Monticello.
Sometimes called the "Nickel Front" because of its depiction on the U.S. coin.
Photo:  Thomas Jefferson Foundation.

More changes are in the works to return other rooms to their appearance during Jefferson's time.  Monticello, located on the outskirts of Charlottesville, Virginia, is one of this country's most-visited historic houses.  The experience of touring the estate first-hand is a memorable one and information about visiting can be seen at the official website.

UPDATE:  The new carpet that was custom made for the Dining Room may be seen in the post of THE DEVOTED CLASSICIST blog here.

Friday, January 6, 2012

Thomas Jayne & The Finest Rooms in America

The Master Bedroom of Annette and Oscar de la Renta at their home in Connecticut.
Photo from THE FINEST ROOMS IN AMERICA by Thomas Jayne.
Readers of The Devoted Classicist that are within convenient travel distance to Memphis should take advantage of an up-coming presentation by Thomas Jayne on the subject of his book THE FINEST ROOMS IN AMERICA.  On Saturday, January 28, 2012, 10:30 am, Thomas will speak at Memphis Brooks Museum of Art (featured in a previous post here) as a guest of Decorative Arts Trust (featured here).  This invitation also includes the reception immediately following the talk including a book sale and signing.  As part of the Trust's goal to advance education in the decorative arts, the program is open to the public, free with regular museum admission.
Author and interior designer Thomas Jayne.
Photo courtesy of Thomas Jayne Studio.

As regular readers might remember from a post on the book about a year ago, here, Thomas is also an interior designer with a line of products developed for Chelsea House, E.J. Victor, and Stark Carpet.  Just last month, Thomas was named to Architectural Digest's prestigous list of the magazine's favorite designers, The AD100.  The JAYNE DESIGN STUDIO BLOG, accessible through My Blog List in the right-hand margin of this post, is always an interesting read.  We have been friends for almost 25 years, sometimes collaborating on projects.  We both worked at Parish-Hadley in New York City and attended the Attingham Summer School in England, but our tenures did not overlap.  The book is particularly interesting because it features 50 rooms from a range of periods and styles, all extant.
The Tea Room at Monticello.
Photo from THE FINEST ROOMS IN AMERICA by Thomas Jayne.
Beginning with Thomas Jefferson's home Monticello, which he began designing at age twenty-five in 1768 and re-designed for over 40 years, the book includes a number of historic examples and continues to current times, ending with Albert Hadley's apartment in Manhattan.
The Guest Room in the Manhattan apartment of Albert Hadley.
Photo from THE FINEST ROOMS IN AMERICA by Thomas Jayne.
There are enough wonderful rooms in between to inspire those with a wide range of taste in residential design.  My favorites include the Master Bedroom in the Connecticut home of Annette and Oscar de la Renta, and the big room of the Barn at the Connecticut home of Bunny Williams and John Rosselli.
The main room of the Barn at the Connecticut home of Bunny Williams and John Rosselli.
Photo from THE FINEST ROOMS IN AMERICA by Thomas Jayne.
All the images of rooms come from THE FINEST ROOMS IN AMERICA by Thomas Jayne with Anne Walker, The Monacelli Press, New York City, 2010.  Copies at a discounted price with the option of free shipping may be ordered here.