Jacqueline Kennedy's Green Room

First Lady Jacqueline Bouvier Kennedy.
Photo:  LIFE magazine, 1961.

This esssay is the third in the series on the history of decoration for the Green Room of the White House.  The first part, which inspired this whole series, presents the refurbishing by Laura Bush, may be viewed here.  To give background information, a survey of all the redecorations of the Green Room through Mamie Eisenhower is prented in the second part;  it may be viewed here. 

Poet Robert Frost with President John F. Kennedy.
The Green Room of the White House, 1961,
showing the decoration from the Truman era.
Photo:  John F. Kennedy Presidential Library, Boston.

Only 31 years old, Jacqueline Bouvier Kennedy none-the-less was perhaps the most qualified First Lady to ever take on the decoration of the White House.  Before the inauguration, Mrs. Kennedy requested background information on the history of the White House and floor plans from the Library of Congress to begin planning the much-needed refurbishing.

December 9, 1960.
The wife of President-Elect John F. Kennedy, Jacqueline, shakes hands
with the wife of the current President, Mamie Eisenhower.
AP Wire Photo.

The customary tour by the  out-going First Lady for the in-coming was tense by all accounts.  Mrs. Kennedy compared the Eisenhower 'Pink House' to the infamous Russian prison Lubianka.  According  to FIRST LADIES, VOLUME ONE, Mamie Eisenhower, having breakfast in bed the next morning after the tour, warned the staff, "She's planning to redo every room in this house. . .You've got quite a project ahead of you.  There are certainly going to be some changes made around here!"

Mrs. Henry (Sister) Parish, 2nd.
Photo by Wilbur Pippin.
From ALBERT HADLEY: THE STORY OF
AMERICA'S PREEIMINENT INTERIOR DESIGNER.

The Kennedys had been working with New York society decorator Mrs. Henry Parish, 2nd, on their Georgetown house, so 'Sister' as she was known, was the obvious choice to make their furniture work in the second floor private living quarters, along with the additional furnishings that would be required.  (In January, 1962, Albert Hadley would join her firm which would become Parish-Hadley in 1964, this writer's former employer).  The $50,000 allocation for decorating was spent in just two weeks, however, with a kitchen and private Dining Room (seen here.)  added on the second floor to make the White House suitable for a family with children.  Mrs. Kennedy realized a more structured plan would have to be developed to realize her goals for the State Rooms to be filled with art, antique furniture and appropriate new rugs and curtains based on historic documents.

Arturo Pini di san Miniato, President of the National Society of
Interior Designers, presents the first Thomas Jefferson Award to
Henry Francis du Pont for his work at the White House.
Photo:  AP Wide World Photo, White House Historical Association.

Changes in tax laws made charitable donations more favorable and the Kennedys had many wealthy and influential friends who were called upon, along with an appeal to the public, to make gifts of antiques and cash to the White House.  Mrs. Kennedy wisely organized the Fine Arts Committee for the White House and served as the honorary chairperson.  Henry Francis duPont, the founder of the Winterthur Museum of American Decorative Arts and the foremost connosieur in his field in the day, was announced as chairman on February 23, 1961.  Mr. and Mrs. Charles Wrightsman, the noted collectors of 18th century Fench Furniture, were among the members of the committee, and played a large part in the introduction of the French Taste in both the State Rooms and the Private Quarters.  Public Law 87-286, passed in September, 1961, created a permanent White House furnishings collection to accept these gifts and established the position of curator.

Stephane Boudin in the Treaty Room of the White House,
photographed by Jacqueline Kennedy.
Photo:  John F. Kennedy Presidential Library, Boston.

With Sister Parish to create the comfortable and tasteful family environment, and Henry duPont to create a museum-quality decor, Stephane Boudin was brought in to add sophistication and glamour.  The head of the influential French decorating firm, Maison Jansen, was introduced to Mrs. Kennedy by Jayne Wrightsman, a Jansen client herself.  Jayne Wrightsman had become a mentor to Jackie Kennedy and Boudin helped  mediate the differences between Mrs. Parish and Mr. du Pont, each having the backing of committee members and donors who were each looking to have their interests in the decoration realized.  Although not entirely a secret, Boudin was kept out of the spotlight that was on the otherwise all-American team.  It was not until the 1997 publication of DESIGNING CAMELOT: THE KENNEDY WHITE HOUSE RESTORATION written by James Archer Abbott and Elaine Rice that the contributions of Boudin became widely known.  The Treaty Room, the Red Room, and the Blue Room, in particular, were triumphs of decoration, providing inspiration in design that influences the profession still today.

Fabric sample from the office of Mrs. Henry Parish, II.
Image:  John F. Kennedy Presidential Library, Boston.

Delays in getting the desired wall and curtain fabric contributed to the Green Room decoration not being completed before President Kennedy's assasination on November 23, 1963.  As the numerous Scalamandre samples were rejected, the existing Truman era fabric had to remain while Boudin arranged to have the silk moire specially woven by the historic French firm Tassinari & Chatel.  The existing green fabric had a blue cast and the new fabric had yellow tonalities, so the new seating fabric had to coordinate with both.  Boudin often used white damasks and brocades for upholstery, but there was surely little consideration that anything else would work in this situation.

March 15, 1961.
Photo:  John F. Kennedy Presidential Library.

Many photos of the Green Room taken by the White House staff photographers were intended to make a record of the flower arrangements rather than document the progress of the redecoration.  But that secondary accomplishment was made as well as seen in these images taken before a dinner to honor Polish Prince Stanislaw and Princess Lee (the First Lady's Sister) Radziwill.  Although there have been some rearrangements, the furnishings largely remain the same as they were for the Eisenhowers.  Among the first changes was the art.

March 15, 1961.
Photo:  John F. Kennedy Presidential Library.

A large portrait of President Millard Fillmore now hangs over the Daniel Webster settee.  And it looks like a painted Louis XVI fauteuil is being tried out at the seating group at the fireplace opposite.

May 8, 1961.
Photo:  John F. Kennedy Presidential Library.

In this photo, the First Lady, in a navy blue dress, speaks with the wife of astronaut Alan Shepard, the first American to travel into space, at a reception following the award of the NASA Distinguished Service Medal.  Sister-in-law Ethel Kennedy, in a pink suit with her back to the camera, speaks to the astronaut's mother, carrying an Autumn Haze mink stole and what is undoubtedly her daughter-in-law's handbag as well as her own.  Also note the hats, gloves, stockings and orchid corsages, clearly accepted attire for lady guests at a daytime reception at the White House.

March 15, 1961.
Photo:  John F. Kennedy Presidential Library.

The double hanging of paintings was being studied for the north wall flanking the main entrance to the room.  Here the floral arrangement is in conflict with the portrait of President Andrew Johnson.

May 3, 1961.
Photo:  John F. Kennedy Presidential Library.

Among Mrs. Kennedy's favorite paintings in the White House collection were eight paintings by Paul Cezanne, given by Charles A. Loeser;  she had two intstalled in the Green Room.  "The Forest", 1890-92, is shown above, hanging at a height to consider a floral arrangement beneath.

June 28, 1961.
"The Forest" by Paul Cezanne.
Photo:  John F. Kennedy Presidential Library.

June 28, 1961.
"House on the Marne" by Paul Cezanne.
Photo:  John F. Kennedy Presidential Library.

As shown in the photos of the First Lady with Miss P. Calnan, the grand-daughter of the donor, the paintings are above the optimal viewing height.

October 4, 1961.
Photo:  John F. Kennedy Presidential Library.

Different chairs are tried with two pairs from a set of four on the north wall, at the Cezanne paintings flanking the main entrance to the room, and a pair at the settee in the foreground.

November 1, 1961.
Photo:  John F. Kennedy Presidential Library.

In a similar view, the different chairs are less-upholstered and decidedly more American.  The Cezanne paintings remain in position, however.  At a later date, they are deemed inappropriate for the Green Room and relocated to the second floor private quarters.

November 2, 1961.
Photo:  John F. Kennedy Presidential Library.

By November, 1961, the 1858 portrait of President Franklin Pierce is placed above the fireplace.  The Truman curtains, in the same fabric as the wall hangings, are reworked to delete the gilt valance and hang within the window trim.

November 2, 1961.
(Reversed view).
Photo:  John F. Kennedy Presidential Library.

In the view of the south wall, reversed, a Baltimore desk is placed beneath a Georgian mirro between the windows.  It was later discovered to be a reproduction and removed.  This is another view of the curtains refitted to be installed within the trim.

December, 1961.
The Special Committee for White House Paintings.
Photo:  John F. Kennedy Presidential Library.

Gathered for a photo, and what appears to be a film as well, is the Special Committee for White House Paintings.  The First Lady, seated and wearing what appears to be a black velvet dress, speaks to Henry du Pont, standing in the brown suit behind.  Seated next to Jacqueline Kennedy is James W. Fosburgh, the chairman of the committee.  Also seated, in the red dress, cape and mink hat is Susan Mary Alsop.  Standing, left to right, is Suzette M. Zurcher; Stanley Marcus, the Dallas department store millionaire;  Lawrence Fleishchmann; Minnie (Mary Benedict Cushing Astor) Fosburgh; Nathaniel Saltonstall;  Andrea Cowdin;  Henry Francis du Pont, Chairman of the White House Fine Arts Committee;  Helen Chisholm Halle;  Babe (Barbara Cushing Mortimer) Paley; and Joseph Pulitzer, Jr.  The new rug appears to be a neo-classical Savonnerie, and brackets with Paris Porcelain urns are added to flank the mirror between the windows.

January 31, 1962.
Photo:  John F. Kennedy Presidential Library.

In the January, 1962, view, the portrait of Benjamin Franklin is seen over the fireplace now, and the lolling chairs appear in white damask, one at the Webster settee, but the other at the window near the door to the East Room.  The Truman rug has returned.

1962
Photo:  Tom Leonard, Conde Nast.

Another view of the room before the wall fabric is changed, showing the reworked curtains of the same material, but set within the window trim.  The crystal sconces still flank both the sofa and the fireplace until the wall fabric is changed.

Photo:  White House Historical Association.

The Daniel Webster sofa gets upholstered in a fabric from Scalamandre.  This photo is undated and may have been taken at the same time as the following view of the room.

A 1963 view of the room showing the new wall fabric,
a neo-classical rug,and revised installation of paintings.
Photo:  Family of (White House Photographer) Robert Knudsen.

This photograph is not in the Kennedy Library collection, and thought to be taken after the President's death, as a last record of Jacqueline Kennedy's efforts for the room.  The furniture has all been reupholstered and the fabric for the walls has finally arrived (via diplomatic pouch so there was no record at U.S. Customs of foreign goods for the White House) and is installed.  This writer could find no view of the windows in this room in the digital photos of the subsequent Lyndon B. Johnson administration, however, but presumably they were made of the same fabric as planned.  The Savonnerie rug is a bit shy of optimal dimensions but a great improvement over the commercial grade rug from the Truman era.  Also of note is the choice of art and the placement.

An undated photo showing the Boudin-designed curtains installed.
Photo:  John F. Kennedy Presidential Library.

1963 (or later).
Photo:  Private Collection.

Thanks to a Devoted Reader, here is a view of the new curtains, in the same fabric as the walls.  Very much in the style of Stephane Boudin, straight panels hang from behind a valance of shaped tabs with contrasting trim.

Image:  John F. Kennedy Presidential Library.

This illustration was the personal Christmas card for the President and Mrs. Kennedy for 1963, with a pre-printed message line and signatures;  it was sent to close friends, despite the President's death.  It shows the Green Room from the opposite direction as the last photo, with the specially woven green silk moire from France and the same arrangement of furniture, clearly the intended design.  The rug is optimally sized and the art includes installations over the doorways.  A tall secretary bookcase is placed between the windows, flanked by another pair of lolling chairs, similar to those flanking the Webster sofa.  And notably the design for the curtains is indicated, more what would be expected for a chic private interior than a period American museum room.

Despite that a few sources had stated that Lady Bird Johnson changed the chandelier in this room during the time of her husband's Presidency, this writer could find no evidence to support that.    In fact most of the decoration (with the exception of the Oval Office) intentionally remained intact as a tribute to the efforts of Jacqueline Kennedy.  It appears that the decoration of the Green Room remained until a major refurbishing by First Lady Pat Nixon almost ten years later;  that will be the subject of the next post of The Devoted Classicist.

White House: The President's Dining Room

Recent separate discussions on both the Sister Parish White House furnishing for the Kennedys and the use of scenic wallpapers brought The Devoted Classicist to think about the second floor Family Dining Room, sometimes referred to as the President's Dining Room, at the Executive Mansion.  Before the Kennedy residency, the space had been used as a Bedroom or a Family Room;  previously, the First Families went downstairs for their meals, and a room designated as the Family Dining Room occupies a handsome space with a vaulted ceiling just below this room.

The President's Dining Room is the space labelled 'Dining Room'
in this Second Floor Plan depicting the 1962 use of rooms.
Image from The White House Organization.

Mrs. Parish planned the second floor of the White House to be the home for the Kennedy family on much the same terms as she had done for clients for decades whether for grand Manhattan apartments or country estates.  Previous occupants had envisioned the second floor as homey, family quarters, but it was Parish-Hadley (as it was to become as Albert Hadley joined the firm at this time) -- with First Lady Jacqueline Kennedy also advised by another great decorator of the day, Stephane Boudin of Maison Jansen, and a committee of wealthy benefactors to foot the bill -- who made it both comfortable and stylish.

First Lady Jacqueline Kennedy with son John, Jr., and daughter Caroline.
Photo:  John F. Kennedy Presidential Library & Museum.

The neo-classical chimneypiece, according to author and White House authority
 Patrick Phillips-Schrock is from the 1952 work of Lorenzo Winslow and
not from the McKim Mead and White renovation, is shown
in this photo dated December, 1961.  The concealed door can partially be seen
on the left, open to the adjacent space used for the children's meals.
Photo:  John F. Kennedy Presidential Library & Museum.

This view from February, 1962, shows a work-in-progress.
Photo:  John F. Kennedy Presidential Library & Museum.

Benjamin Harrison's china is set on the table
and three pieces from Andrew Jackson's
Biennais service is on the sideboard.
Note the trial chandelier.  April, 1962.

Mrs. Parish's off-white damask seat upholstery is shown here
along with a Waterford chandelier in a circa 1962 photo
by National Geographic Society.
Source: White House Historical Association.

The room was presented as a showcase Federal period furniture made in Maryland, no doubt acquired with the recommendation of Henry Francis DuPont, another influential advisor to Mrs. Kennedy.  (Mr. DuPont, the wealthy collector and perhaps the country's most revered antiquarian of the day, was the founder of the Winterthur Museum of Decorative Arts and the chairman of the newly formed Fine Arts Committee for the White House with Jacqueline Kennedy as honorary chairperson.  DuPont was major force in introducing quality antiques to furnish the State Rooms on the main floor, replacing the largely department-store-quality furniture with fine examples that were gifted or bought with donations).  The chimneypiece on the east wall was replaced by a circa 1815 mantel by Robert Wedford of Philadelphia.  Silver purchased by Andrew Jackson was displayed on a sideboard adorned with an American eagle portrayed by a satinwood inlay.  Silk curtains in two shades of blue were hung inside the openings so as not to obscure the window trim with an assymetric form based on a historic document design.  The main feature of the room, however, was a spectacular scenic wallpaper, circa 1853, depicting the American Revolutionary War that had come from a house in Baltimore.  The first image shows the more finished scheme, rather than an antique rug, a contemporary carpet with a subtle flamestitch pattern was used, and the damask chair seats were changed to tooled white leather (perhaps both being influences by Boudin) adding to the effect that it was a stylish private residence instead of a museum despite the high quality of furnishings.

Image from PARISH-HADLEY:  SIXTY YEARS OF AMERICAN DESIGN.

President William Henry Harrison, in office for only 32 days, broke from tradition and used this room as his bedroom;  he died of pneumonia here in 1841 and most of the predecessors returned to using the bedroom across the hall.  Along with the adjacent corner room, the suite was used by the Prince of Wales in 1860 during his Buchanan administration visit and became known for a time thereafter as the "Prince of Wales Room".  In 1861, Mary Lincoln installed the furniture from the Philadelphia firm of William Carryl now associated with "The Lincoln Bedroom";  their beloved eleven year old son Willie died in the elaborate bed just months after the decoration of the room was complete and President Lincoln was embalmed in the room three years later according to AMERICA'S FIRST FAMILIES by Carl Sferraza Anthony.

Photo:  Library of Congress.

This 1898 view of the room shows how it appeared when used as a bedroom during the McKinley Presidency, photographed for the first time. First Lady Ida McKinley had it painted pink and spent most of her time during her White House occupancy.  The painting above the two brass beds pushed together is of their daughter who had died two decades earlier.

Photo:  Library of Congress, Harris & Ewing.

Some of the Victorian decoration was removed for Alice Roosevelt's use as a bedroom as seen in this 1902 photo.  During a meal with the Nixons about 70 years later, Alice Roosevelt Longworth remembered that she had her appendix removed in the room. Sister Ethel's bedroom is glimpsed through the open door.

Photo:  Library of Congress, Harris & Ewing.

Photo:  Library of Congress, Harris & Ewing.

A daughter of President Taft also used the space as a bedroom as seen in these circa 1911 photographs.  The idea of stylish comfort is beginning to show in the decoration of the room.

Photo:  Harry S. Truman Library and Museum.

As seen in this 1948 view of the room prior to the reconstruction of the White House, the Trumans daughter Margaret used it as her Sitting Room.  The piano leg's breaking through the floor was one of the factors that contributed to the decision to completely gut the mansion and rebuild it within the shell.

Photo:  Harry S. Truman Library and Museum.

The reconstruction deleted the chimney breast as shown in the 1952 photograph taken as the work was not yet completed. Also the doorway that had been adjacent to the fireplace was removed as that was the First Lady's Study on the other side of the wall.

Photo from the Harry S. Truman Library and Museum.

The reconstruction provided an elliptical end at the entrance to the room that served as a device to visually center the fireplace in the room.  A concealed door on the left leads to a closet.  The corresponding space on the right is also used as storage, but accessed through the hall to the corner room used by Margaret Truman as her bedroom.  The West Sitting Hall, used as a Living Room for the First Family, is seen through the doorway.

President Johnson at the head of the table with his advisors.
White House photo.

President Johnson, right, with his advisors.
White House photo.

Despite the enormous differences between the Kennedys and the Johnsons, there were no widespread changes of the White House decor, as shown in these photos of President Johnson meeting with his advisors in 1967.  In fact, the work that had already been ordered by Jacqueline Kennedy proceeded and was installed during the Johnson Administration.  (The exception was the Oval Office which had furnishings that were installed during the trip to Dallas;  President Johnson kept the curtains by Stephane Boudin but brought in the same desk he had used since his days in the Senate, added a console that held three televisions so he could see all the major networks at the same time, and eventually changed the red carpet to gray).

Photo:  National Archives and Records Administration.

Although it appears that only the rug has changed in circa 1970 photo of the Nixon family dining in the room, the curtains were replaced around 1968, duplicating the previous design.

Photo:  The White House Museum Organization.

At some time later in the early 1970s, the influence of Clement Conger, the new White House Curator, can be seen in the change of carpet, a recreation of a historic document design. Along with Edward Vason Jones and design consultant Sarah Jackson Doyle, who had worked with the Nixons since 1965 (according to The Richard Nixon Foundation), First Lady Pat Nixon refurbished both private family rooms on the second floor as well as public rooms on the main floor.

Photo:  The Richard Nixon Foundation.

This circa 1973 view, again of the Nixon family dining, shows the carpet but few changes otherwise from the Kennedy scheme.

Photo:  National Archives and Records Administration.

When Gerald Ford became President in 1974 after the resignation of Richard Nixon, he became the only person to hold that office who was never elected President or Vice-President by the Electoral Colllege.  Although President Ford may be best remembered for granting Nixon a Presidential Pardon for his role in the Watergate Scandal, this writer associates him with the one who removed the scenic wallpaper;  he just could not bear it and had the walls painted yellow.  Ironically he is shown here raising a glass to the First Lady;  after a long-running battle with alcoholism, she was the founder and first chair of the board of directors of the Betty Ford Center for substance abuse and addiction.

Photo:  Gerald R. Ford Presidential Library and Museum.

In Bicentennial Year of 1976, the Fords are shown with guests Queen Elizabeth and Prince Philip in the yellow painted room.  That thermostat between the Queen and the President was always there, apparently, but not so prominent with the design of the wallpaper.  The reproduction carpet is replaced with an Oriental rug.

First Lady Rosalynn Carter is at the head of the table with the President's mother, Lillian,
opposite.  Daughter Amy is in the plaid shirt on the right.
White House photo.

By the time of this circa 1978 photo, the Carters had reinstalled the scenic wallpaper.  Rosalynn Carter's decorator was Carleton Varney, known for his bold use of color.

Photo from the Ronald Reagan Presidential Foundation and Library.

In this photo dating from 1981, the room is set up for a dinner honoring Charles, Prince of Wales.  The second mirror, duplicating the one over the mantle, is too high on the wall, a position especially noticeable with the sideboard removed.  An empire pier table is placed between the windows, now with damask curtains covering the trim, presumably designed by the Reagan's decorator Ted Graber.

Photo from the Ronald Reagan Presidential Foundation and Library.

The room as it usually appeared during the Reagan years is seen in this 1986 photo.  The rug and chair seat upholstery seems to be the same from when the Fords decorated the room.

Photo by the Historic American Building Survey.

The  1992 photograph by the Historic American Building Survey shows the room as it appeared during the occupancy of Barbara and George Herbert Walker Bush, sometimes referred to as Bush 41 as he was the 41st President.  The Bush's decorator was Mark Hampton who apparently made little if any changes to this room.

Photo from The White House Museum Organization.

When the photos of the redecoration of Hillary and Bill Clinton's White House by Little Rock, Arkansas, decorator Kaki Hockersmith became public, they were a sensation.  But not generally in a positive way.  The consensus was that the design lacked an understanding of the scale and history of the White House and how the residence was used.  This time, the scenic wallpaper was not removed, but covered by a pale green fabric. This photo dates from about 1997.

White House Photo of  President George W. Bush with Secretary of State Condoleeza Rice,
by Eric Draper.

Laura and George W. Bush, Bush 43, employed Fort Worth, Texas, decorator Kenneth Blasingame to essentially erase all the Clinton decor.  In contrast to the previous schemes, Laura Bush's decor was not controversial, but not particularly newsworthy either.  In this room, it seems the shield-back Hepplewhite dining chairs remain, but the chintz upholstery was changed to a more period-correct horsehair with decorative swag nail-head trim.  Also, the reproduction carpet pattern from the Nixon administration returned.  A golden yellow damask is now covering the walls.

White House photo by Peter Souza.

With the exception of photos of the Obama Oval Office, few photos have been released to reveal the interior design schemes of Santa Monica, California, decorator Michael S.Smith. Although Smith is involved in a number of commercial fabric and furniture lines, he clearly had not yet decorated this room as shown in this 2009 photo of Michelle Obama with Nancy Reagan.  The placement of the mid-19th century giltwood mirror above the mantle also dates from the Laura Bush-Kenneth Blasingame decoration.

More information about the White House can be found at the official White House website and the White House Historical Association.  Non-official sites such as The White House Museum Organization and the Facebook Group, White House Fanatics, are also sources of information.  The ground-breaking book DESIGNING CAMELOT: THE KENNEDY WHITE HOUSE RESTORATION by James Archer Abbott is the ultimate reference for the subject.