Showing posts with label Kenneth Blasingame. Show all posts
Showing posts with label Kenneth Blasingame. Show all posts

Friday, June 22, 2012

White House, Green Room, and Laura Bush

The White House Green Room, 2009.
Photo:  WhiteHouse.gov.
The recent unveiling of the official White House portrait of First Lady Laura Bush brought to mind the Green Room, used as the setting for painting and significant because of Mrs. Bush's efforts to refurbish the room in 2007.
The Official White House Portrait of First Lady Laura Bush, 2012.
Painted by John Howard Sanden.
Image:  White House Historical Association.
After seeing the portrait of President George W. Bush completed in 2011, Mrs. Bush chose the same artist, John Howard Sanden.  Born in Austin, Texas, in 1935, the artist now lives in Connecticut and maintains a Carnegie Hall studio.  The portraits were commissioned by the White House Historical Association as a gift of the George B. Hartog, Jr., White House Acquisition Trust.  The Devoted Classicist is always interested in the settings for portraits, and President Bush's is particularly interesting from a political viewpoint, but this essay will discuss Laura Bush's because of the decorative arts focus.  In addition to a well-chosen dress, a number of the features of the White House Green Room are shown in the carefully considered composition.
Portrait of Benjamin Franklin.
Image:  WhiteHouse.gov.
The portrait of Benjamin Franklin over the mantle was painted by David Martin in 1767.  The Scholar's Notes from the White House Historical Association offers that the portrait was commissioned by Robert Alexander of the firm William Alexander & Sons, Edinburgh.  The ribboned document is one of Alexander's deeds, the books and pamphlets suggest the evidence to support a wise man's decision, and the bust of Isaac Newton represents the English Voice of Reason.  Sometimes called the 'thumb portrait', the position of the hand with the thumb pressed against the chin expresses the pressure of concentrated thought.  The portrait was a gift of Mr. and Mrs. Walter H. Annenberg to contribute to Jacqueline Kennedy's plea for art for the White House.  (One of the richest individuals in the U.S. at the time, he was a big financial supporter of Richard Nixon and was appointed as ambassador to Britain by Ronald Reagan).
Green Room Mantle Clock.
Photo:  WhiteHouse.gov.
Although not visible in the portrait, there is an ormolu clock on the mantle with a figure of George Washington and an eagle.  Acquired in 1961, it dates from circa 1806 and is attributed to Jean-Baptiste Dubuc.  Washington is depicted in full dress uniform with a scroll of laws in his right hand and his left hand against his sword.  The eagle represents the Great Seal of the United States and holds a bundle of 13 arrows in its left talon, referring to the thirteen original states.  The enamel dial is inscribed with the well-known quotation from Washington's funeral oration by Major-General Henry Lee, "Washington, First in War, First in Peace, First in the Hearts of his Countrymen".
Green Room Easy Chair, 2007.
Image:  Washington Post.
The new rug in a neo-classical pattern and the reupholstery of the easy chairs at the fireplace in a brighter coral silk damask are part of First Lady Laura Bush's contributions to the room.  The pattern of the rug is based on an early 19th century French Savonnerie rug but with intensified colors and other adjustments made as it was woven especially for the room.  The Federal period chairs were added to the room in 1971-2, but were previously in a more subtle salmon color fabric. 
The Green Room, 2001.
Official White House Photo by Moreen Ishikawa.
This earlier view shows the First Lady Laura Bush, right, entertaining the wife of the President of Mexico, Mrs. Vicente Fox.
The Bust of Benjamin Franklin.
Photo:  WhiteHouse.gov
The Sevres bust of Benjamin Franklin dates from 1810.
Duncan Phyfe Work Table.
Photo:  WhiteHouse.gov
This magnificent work table, one of a pair and shown in the open position, is attributed to Duncan Phyfe and dates from circa 1810.
The Green Room during the Presidency of George W. Bush.
Photo:  Architectural Digest.
The curtains are also new, in a similar but simplied version of the design from the Nixon redecoration in the early 1970s.  The new fabric and the finish of the valances are also more vibrant than previously. The watered silk wall covering was also replaced with a slightly brighter green in a larger scale weave.
Silver Tea Urn on Display in the Green Room.
Photo:  WhiteHouse.gov
Although this writer is not particularly fond of the full time display of the Sheffield silver hot water urn (alternately described as a tea or coffee urn) in the Green Room, he is is apparently in the minority.  Many appreciate it for the symbol of hospitality it provides as the room is used for receptions.  It was owned by John and Abigail Adams, the first occupants of the White House in 1800.  Some think the neo-classical vase-shaped urn may have been acquired when Adams was American minister to England, 1785-88, as it dates from that period.  The front is engraved with "JAA".  It had remained in the family until sold in 1946.  The urn was given to the White House in 1964 by Mr. and Mrs. Mark Bortman and Jane Bortman Larus.  (According to Lady Bird Johnson's published diary, Mr. Bortman was a friend of President Johnson and made several other donations to the White House as well).
"Lighter Relieving a Steamboat Aground" by George Caleb Bingham.
Image from the White House Historical Association.
George Caleb Bingham's 1847 painting, "Lighter Relieving a Steamboat Aground" has often been seen as being representative of a political statement as the artist ran for the Missouri House of Representatives in 1846 and was elected;  however, the results were contested and he was forced out of office.
"The Builders" by Jacob Lawrence is displayed in the Green Room.
Image from the White House Historical Association.
"The Builders" is a 1947 painting by Jacob Lawrence, one of the newest works of art in the permanent White House collection.  It was acquired at auction in 2007 for $2.5 million by the White House Acquisition Trust.
President George W. Bush and First Lady Laura Bush.
Photo:  Architectural Digest.
The Green Room refurbishment was undertaken during the summer of 2007 by First Lady Laura Bush, advised by the Committee for the Preservation of the White House, Fort Worth decorator Ken Blasingame, and White House curator William Allman.  The next posting of The Devoted Classicist blog will present a history of the Green Room decoration with focus on the accomplishments of First Lady Jacqueline Kennedy, who set the standard by which all White House decoration is judged, and First Lady Pat Nixon, whose scheme is still the basis of decoration in the Green Room today.

Monday, May 28, 2012

White House: The President's Dining Room



Recent separate discussions on both the Sister Parish White House furnishing for the Kennedys and the use of scenic wallpapers brought The Devoted Classicist to think about the second floor Family Dining Room, sometimes referred to as the President's Dining Room, at the Executive Mansion.  Before the Kennedy residency, the space had been used as a Bedroom or a Family Room;  previously, the First Families went downstairs for their meals, and a room designated as the Family Dining Room occupies a handsome space with a vaulted ceiling just below this room.

The President's Dining Room is the space labelled 'Dining Room'
in this Second Floor Plan depicting the 1962 use of rooms.
Image from The White House Organization.
Mrs. Parish planned the second floor of the White House to be the home for the Kennedy family on much the same terms as she had done for clients for decades whether for grand Manhattan apartments or country estates.  Previous occupants had envisioned the second floor as homey, family quarters, but it was Parish-Hadley (as it was to become as Albert Hadley joined the firm at this time) -- with First Lady Jacqueline Kennedy also advised by another great decorator of the day, Stephane Boudin of Maison Jansen, and a committee of wealthy benefactors to foot the bill -- who made it both comfortable and stylish.
First Lady Jacqueline Kennedy with son John, Jr., and daughter Caroline.
Photo:  John F. Kennedy Presidential Library & Museum.

The neo-classical chimneypiece, according to author and White House authority
 Patrick Phillips-Schrock is from the 1952 work of Lorenzo Winslow and
not from the McKim Mead and White renovation, is shown
in this photo dated December, 1961.  The concealed door can partially be seen
on the left, open to the adjacent space used for the children's meals.
Photo:  John F. Kennedy Presidential Library & Museum.

This view from February, 1962, shows a work-in-progress.
Photo:  John F. Kennedy Presidential Library & Museum.
Benjamin Harrison's china is set on the table
and three pieces from Andrew Jackson's
Biennais service is on the sideboard.
Note the trial chandelier.  April, 1962.

Mrs. Parish's off-white damask seat upholstery is shown here
along with a Waterford chandelier in a circa 1962 photo
by National Geographic Society.
Source: White House Historical Association.

The room was presented as a showcase Federal period furniture made in Maryland, no doubt acquired with the recommendation of Henry Francis DuPont, another influential advisor to Mrs. Kennedy.  (Mr. DuPont, the wealthy collector and perhaps the country's most revered antiquarian of the day, was the founder of the Winterthur Museum of Decorative Arts and the chairman of the newly formed Fine Arts Committee for the White House with Jacqueline Kennedy as honorary chairperson.  DuPont was major force in introducing quality antiques to furnish the State Rooms on the main floor, replacing the largely department-store-quality furniture with fine examples that were gifted or bought with donations).  The chimneypiece on the east wall was replaced by a circa 1815 mantel by Robert Wedford of Philadelphia.  Silver purchased by Andrew Jackson was displayed on a sideboard adorned with an American eagle portrayed by a satinwood inlay.  Silk curtains in two shades of blue were hung inside the openings so as not to obscure the window trim with an assymetric form based on a historic document design.  The main feature of the room, however, was a spectacular scenic wallpaper, circa 1853, depicting the American Revolutionary War that had come from a house in Baltimore.  The first image shows the more finished scheme, rather than an antique rug, a contemporary carpet with a subtle flamestitch pattern was used, and the damask chair seats were changed to tooled white leather (perhaps both being influences by Boudin) adding to the effect that it was a stylish private residence instead of a museum despite the high quality of furnishings.
Image from PARISH-HADLEY:  SIXTY YEARS OF AMERICAN DESIGN.

President William Henry Harrison, in office for only 32 days, broke from tradition and used this room as his bedroom;  he died of pneumonia here in 1841 and most of the predecessors returned to using the bedroom across the hall.  Along with the adjacent corner room, the suite was used by the Prince of Wales in 1860 during his Buchanan administration visit and became known for a time thereafter as the "Prince of Wales Room".  In 1861, Mary Lincoln installed the furniture from the Philadelphia firm of William Carryl now associated with "The Lincoln Bedroom";  their beloved eleven year old son Willie died in the elaborate bed just months after the decoration of the room was complete and President Lincoln was embalmed in the room three years later according to AMERICA'S FIRST FAMILIES by Carl Sferraza Anthony.
Photo:  Library of Congress.
This 1898 view of the room shows how it appeared when used as a bedroom during the McKinley Presidency, photographed for the first time. First Lady Ida McKinley had it painted pink and spent most of her time during her White House occupancy.  The painting above the two brass beds pushed together is of their daughter who had died two decades earlier.
Photo:  Library of Congress, Harris & Ewing.
Some of the Victorian decoration was removed for Alice Roosevelt's use as a bedroom as seen in this 1902 photo.  During a meal with the Nixons about 70 years later, Alice Roosevelt Longworth remembered that she had her appendix removed in the room. Sister Ethel's bedroom is glimpsed through the open door.
Photo:  Library of Congress, Harris & Ewing.

Photo:  Library of Congress, Harris & Ewing.
A daughter of President Taft also used the space as a bedroom as seen in these circa 1911 photographs.  The idea of stylish comfort is beginning to show in the decoration of the room.
Photo:  Harry S. Truman Library and Museum.
As seen in this 1948 view of the room prior to the reconstruction of the White House, the Trumans daughter Margaret used it as her Sitting Room.  The piano leg's breaking through the floor was one of the factors that contributed to the decision to completely gut the mansion and rebuild it within the shell.
Photo:  Harry S. Truman Library and Museum.
The reconstruction deleted the chimney breast as shown in the 1952 photograph taken as the work was not yet completed. Also the doorway that had been adjacent to the fireplace was removed as that was the First Lady's Study on the other side of the wall.
Photo from the Harry S. Truman Library and Museum.
The reconstruction provided an elliptical end at the entrance to the room that served as a device to visually center the fireplace in the room.  A concealed door on the left leads to a closet.  The corresponding space on the right is also used as storage, but accessed through the hall to the corner room used by Margaret Truman as her bedroom.  The West Sitting Hall, used as a Living Room for the First Family, is seen through the doorway.
President Johnson at the head of the table with his advisors.
White House photo.
President Johnson, right, with his advisors.
White House photo.
Despite the enormous differences between the Kennedys and the Johnsons, there were no widespread changes of the White House decor, as shown in these photos of President Johnson meeting with his advisors in 1967.  In fact, the work that had already been ordered by Jacqueline Kennedy proceeded and was installed during the Johnson Administration.  (The exception was the Oval Office which had furnishings that were installed during the trip to Dallas;  President Johnson kept the curtains by Stephane Boudin but brought in the same desk he had used since his days in the Senate, added a console that held three televisions so he could see all the major networks at the same time, and eventually changed the red carpet to gray).
Photo:  National Archives and Records Administration.
Although it appears that only the rug has changed in circa 1970 photo of the Nixon family dining in the room, the curtains were replaced around 1968, duplicating the previous design.
Photo:  The White House Museum Organization.
At some time later in the early 1970s, the influence of Clement Conger, the new White House Curator, can be seen in the change of carpet, a recreation of a historic document design. Along with Edward Vason Jones and design consultant Sarah Jackson Doyle, who had worked with the Nixons since 1965 (according to The Richard Nixon Foundation), First Lady Pat Nixon refurbished both private family rooms on the second floor as well as public rooms on the main floor.
Photo:  The Richard Nixon Foundation.
This circa 1973 view, again of the Nixon family dining, shows the carpet but few changes otherwise from the Kennedy scheme.
Photo:  National Archives and Records Administration.
When Gerald Ford became President in 1974 after the resignation of Richard Nixon, he became the only person to hold that office who was never elected President or Vice-President by the Electoral Colllege.  Although President Ford may be best remembered for granting Nixon a Presidential Pardon for his role in the Watergate Scandal, this writer associates him with the one who removed the scenic wallpaper;  he just could not bear it and had the walls painted yellow.  Ironically he is shown here raising a glass to the First Lady;  after a long-running battle with alcoholism, she was the founder and first chair of the board of directors of the Betty Ford Center for substance abuse and addiction.
Photo:  Gerald R. Ford Presidential Library and Museum.
In Bicentennial Year of 1976, the Fords are shown with guests Queen Elizabeth and Prince Philip in the yellow painted room.  That thermostat between the Queen and the President was always there, apparently, but not so prominent with the design of the wallpaper.  The reproduction carpet is replaced with an Oriental rug.
First Lady Rosalynn Carter is at the head of the table with the President's mother, Lillian,
opposite.  Daughter Amy is in the plaid shirt on the right.
White House photo.
By the time of this circa 1978 photo, the Carters had reinstalled the scenic wallpaper.  Rosalynn Carter's decorator was Carleton Varney, known for his bold use of color.

Photo from the Ronald Reagan Presidential Foundation and Library.
In this photo dating from 1981, the room is set up for a dinner honoring Charles, Prince of Wales.  The second mirror, duplicating the one over the mantle, is too high on the wall, a position especially noticeable with the sideboard removed.  An empire pier table is placed between the windows, now with damask curtains covering the trim, presumably designed by the Reagan's decorator Ted Graber.
Photo from the Ronald Reagan Presidential Foundation and Library.
The room as it usually appeared during the Reagan years is seen in this 1986 photo.  The rug and chair seat upholstery seems to be the same from when the Fords decorated the room.
Photo by the Historic American Building Survey.
The  1992 photograph by the Historic American Building Survey shows the room as it appeared during the occupancy of Barbara and George Herbert Walker Bush, sometimes referred to as Bush 41 as he was the 41st President.  The Bush's decorator was Mark Hampton who apparently made little if any changes to this room.
Photo from The White House Museum Organization.
When the photos of the redecoration of Hillary and Bill Clinton's White House by Little Rock, Arkansas, decorator Kaki Hockersmith became public, they were a sensation.  But not generally in a positive way.  The consensus was that the design lacked an understanding of the scale and history of the White House and how the residence was used.  This time, the scenic wallpaper was not removed, but covered by a pale green fabric. This photo dates from about 1997.
White House Photo of  President George W. Bush with Secretary of State Condoleeza Rice,
by Eric Draper.
Laura and George W. Bush, Bush 43, employed Fort Worth, Texas, decorator Kenneth Blasingame to essentially erase all the Clinton decor.  In contrast to the previous schemes, Laura Bush's decor was not controversial, but not particularly newsworthy either.  In this room, it seems the shield-back Hepplewhite dining chairs remain, but the chintz upholstery was changed to a more period-correct horsehair with decorative swag nail-head trim.  Also, the reproduction carpet pattern from the Nixon administration returned.  A golden yellow damask is now covering the walls.

White House photo by Peter Souza.
With the exception of photos of the Obama Oval Office, few photos have been released to reveal the interior design schemes of Santa Monica, California, decorator Michael S.Smith. Although Smith is involved in a number of commercial fabric and furniture lines, he clearly had not yet decorated this room as shown in this 2009 photo of Michelle Obama with Nancy Reagan.  The placement of the mid-19th century giltwood mirror above the mantle also dates from the Laura Bush-Kenneth Blasingame decoration.

More information about the White House can be found at the official White House website and the White House Historical Association.  Non-official sites such as The White House Museum Organization and the Facebook Group, White House Fanatics, are also sources of information.  The ground-breaking book DESIGNING CAMELOT: THE KENNEDY WHITE HOUSE RESTORATION by James Archer Abbott is the ultimate reference for the subject.